Vicky Newham

Is violence being glamorised in drama?


When I watched the first episode of The Fall on BBC2, I began wondering, not for the first time, about how violence is portrayed on television. I’ve felt conflicted about this programme because I admire many aspects of it whilst others have made me feel distinctly uncomfortable. As a writer of crime fiction, I don’t want to be hypocritical about the topic of violence but I do want to reflect on how it’s portrayed, including how I do this in my own novels.

One of my main problems with The Fall is why The Team had to over-emphasise the glamour of Gillian Anderson’s character, DS Stella Gibson. My beef isn’t with the actress, whom I’ve adored since The X-Files. She is attractive but I don’t understand why The Team had to accentuate this aspect. Her hair seems overly-coiffured, and her lips are glossed to perfection. Why? I know it’s TV but – come on. In the opening scenes we see Stella’s backside from behind, whilst she leans over a bath. She wears low slung pyjama-type bottoms and no bra, and has a face pack on her skin. I was wondering why the directors wanted to start with this shot. As a tone setter, what do these opening scenes suggest?

Most working women with busy jobs do their hair and make-up in the morning and maybe have a glance at it in the loo during the day, or after they’ve scoffed a sandwich. It looks like The Team has re-tonged Stella’s hair in between shots. One of the reasons why this bugged me was because women are so often portrayed in dramas as helpless victims, or as femmes fatales. If it’s the latter, this reinforces the notion that women cannot be successful under their own steam, and need to use their sexuality to get on. I did get the impression that The Team wanted Stella to come across as a femme fatale. Her sexual encounters are shown as leaving men in tatters whilst she is shown as being able to compartmentalise. Yes, it’s a reversal of a certain stereotype but doesn’t it also perpetuate another one? Her senior officer, with whom she has had a backstory fling, tells her in the toilet, where they’re having a meeting, that he would have left his wife and kids for her. It’s as if they are trying to create a parallel between Stella and Paul: they’re both hunters, albeit with different prey (most of the time).

My second problem with this programme is the way that it glamourises violence and appears to sexualise murder. When the man is doing his ritualistic ‘things’ to his corpses, we see him half-naked, and the corpse naked (albeit semi-covered). I think that the actor (Jamie Dornan) plays his role as chilling serial killer Paul Spector very well. However, although I think he’s an excellent actor, I have just read that he is an ex-underwear model so The Team was clearly keen to have the character played by someone attractive and who would bring glamour and sexuality to the role. In episode one, scenes with half-naked Paul with his corpse often cut backwards and forwards between shots of Stella having sex. I am not prudish. I don’t watch TV to see people having sex, but as long as it’s not too graphic I don’t mind. But these shots bothered me: it was as if they were suggesting a link between murder and sex. Worse, as if they were suggesting that Paul was considering necrophilia. This theme comes up again in a later episode. As a crime writer, and psychologist, I am aware that a lot of crimes are sexual in either nature or motivation (and sometimes both). At the time of writing this, we still haven’t been shown what the motivation is for the murders and I’m interested to see how his behaviour is explained, particularly since a second series has been commissioned. Gillian Anderson is listed as executive producer for the next series.

I am aware that dramas are very expensive to produce and that programmes tend to try and compete with ones which are popular by emulating style, themes, atmosphere, amount and type of violence, and cinematography. What I liked about Scandinavian The Bridge, however, was that Saga Noren wasn’t made to be overly glamorous in terms of hair, make-up and clothes and the same was true for Sara Lund in The Killing. I see that The Fall has been directed by Flemish Jakob Vergruggen. I am all in favour of cross-pollination of talent and experience and perhaps British crime dramas can learn from continental Europe. By all accounts he’s a name to watch.

Another programme which I’ve liked for years is Silent Witness, on BBC1. I watched it when it first started with Amanda Burton and have continued to watch it with Emilia Fox. Episodes are written by different writers and some are considerable more violent than others. The very violent ones have resulted in me switching off. A regret about Silent Witness is similar to what I’ve said about The Fall: why did The Team have to make Dr Nikki Alexander so glamorous? The scenes with her teetering along in four inch heels (actually she walks in them very well indeed), with wedding hair and wearing designer clothes to crime scenes, strike me as ridiculous. Why can’t they have her wearing plain jeans and flat boots? It makes her look like some kind of Barbie doll. As with Gillian Anderson, I really like Emilia Fox, so my issue isn’t with the actresses at all. It’s with the production teams and, presumably, directors.

So, my questions are: do you think that drama is glamourising violence? Does it matter? What about if murder is sexualised? And what effects might these things have … on people and society? I would love to know what you think.

Vicky Newham © 2013

Author: Vicky Newham

Vicky Newham is a writer, living in Whitstable, Kent. She writes crime fiction, psychological thrillers and science fiction. Her main projects are novels, but she also writes short stories, flash fiction, non-fiction articles and some poetry.

2 thoughts on “Is violence being glamorised in drama?

  1. I used to think that was an American problem – you know all male police detectives are slobbing around on doughnuts, while the female ones are impeccably coiffed, wearing suits and high heels. Compare that with the completely unglamorous outfit (usually the same, day in, day out) of the policemen and women in French series like ‘Spiral’ or Danish series like ‘The Killing’.
    I share your discomfort with the ambiguity of ‘The Fall’. I’m not quite sure I buy all of the disclaimers and explanations of the writers, directors, producers.

    • Hi MarinaSofia, thanks so much for commenting on my blogpost and also admitting to feeling a bit uncomfortable about aspects of The Fall. I think it’s always worthwhile reflecting on the programmes we’re being offered. They can have a profound effect on individuals and on society, and often in quite subtle ways.

I would love to know what you think ...

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