Having just realised that I went to 20 panels at the weekend and wrote 42 sides of notes, I’m going to break up my blog posts. This one covers the debut author panels. It is, of course, a personal summary of what touched and inspired me.
Some of the photographs are better than others: photography wasn’t easy in one of the rooms as the panel was positioned with windows behind them, hence the dark pics in some instances, or use of ones from when the panels were setting up.
I find these sessions fascinating for a number of reasons and it is such a pleasure to see and hear authors, whose first novel has recently been published, talking about them with passion and excitement. When they mention how long they’ve been writing for or how long they’ve dreamed of seeing a novel in print with their name on it, it fills me with joy for them. I also find it interesting to hear what their influences are, and how their backgrounds and jobs inform or have enabled their novel writing.
Thursday’s panel kicked off this year’s convention. Authors were: AK Benedict, Ray Celestin, VM Giambanco, Sarah Hilary and David Thorne, with Jake Kerridge as moderator. I’d met Alexandra and Sarah for the first time last year at CrimeFest, and it is particularly lovely that since then both of their novels have been published and are doing extremely well.
There was something on this panel for everyone and book settings included Essex, Seattle and Cambridge. I enjoyed hearing about the authors’ backgrounds and how these led up to, and have contributed to, their novel writing. Here we had a highly creative bunch of writers with backgrounds including film editing, music composition, and comedy writing.
Discussion turned to how their plots came about and what clinched their choice of location. David said that moving to Essex prompted his plot and how one of its themes is whether people can ever escape their origins. Valentina discussed her wish for a setting that offered both urban landscape and wilderness (Seattle). Her detective is the new girl on the squad, which I think sets up an exciting dynamic. Alexandra’s time travelling serial killer had me dashing off to the bookshop despite having The Beauty of Murder on my kindle. She was captivating to listen to and I predict huge success for her. Ray’s book is based partially on a true story of an unsolved crime, which interests me in terms of the necessary weaving of fiction and fact. Sarah said that when she devised her plot she wanted to write about domestic abuse, not as a polemic but through story, to make readers question what they know.
Friday’s panel included: MJ Arlidge, Mason Cross, Jake Woodhouse, Kate Griffin and Colette McBeth, with Jake as moderator again. It was interesting to hear about how the authors got published and also whether they told anyone they were writing a novel and hoping to get it published (two of them didn’t).
Kitty Peck and the Music Hall Murders is the book that resulted from a competition win with Stylist magazine and Faber by Kate Griffin. Her protagonist stood out for me: Kitty, the ‘naïve but ballsy’ seventeen year old trapeze artist in an East End music hall in Victorian Times. I have a feeling that this book is going to grab people’s imaginations. Mason mentioned that luck had helped him to get published: he posted work on the website, Authonomy, and was contacted by an agent. He calls it ‘luck’ but the fact is he wrote the piece that was spotted and took a gamble. His writing has been compared to that of Lee Child.
MJ says he was influenced by Stieg Larsson and Larsson’s protagonist, Lisbeth Salander. He has nursery rhymes as the titles of his books in a nod to James Patterson. Jake discussed how James Ellroy’s American Tabloid had influenced him. In his (Jake’s) novel he has three characters, each of whom has equal weight in the narrative. Colette said that Precious Thing is a book about ‘appearances’, and how things are often not as they seem or as they are presented. She said that she’d had the story in her head since she left university. Colette took a Faber Academy novel writing course which she said was very good. The panel also discussed how much research they did. Most of them said ‘very little’, and commented on how research can be a displacement activity and distraction.
The panel on Saturday had: Clare Donoghue, Matthew Frank, Rob Gittins, Claire Kendal and Paul Mendelson, with Laura Wilson as moderator.
Clare, an ex-lawyer, talked about writing Never Look Back whilst she was doing an MA Creative Writing and said that her journey to publication has been quick. She was one of two debut authors I heard say they map out their plot using a spreadsheet. Rob Gittins writes for a range of TV dramas and has come up with an ingenious witness protection plot. Claire Kendal teaches English and Creative Writing. She said that her novel, The Book of You, is a homage to Samuel Richardson’s book, Clarissa. It exaggerates the common phenomenon of unwanted attention into stalking, which often has an inbuilt escalation to it. She said she wanted the voice of her protagonist, Clarissa, to be fevered and intense. The way that Claire spoke about this book got me scuttling off to Foyles again, and I even broke my hardback rule in the process!
What I found interesting on this panel was that whereas Clare said that her path to publication had been quite quick, Claire and Rob talked about a more protracted process. I think this shows how different everyone’s experiences can be and that it’s important to have no expectations when you’re writing. Furthermore, that you have to be prepared to be in it for the long haul and the sheer love of writing.
Paul had success early on with a script he wrote, but said it took him a while (and twelve non-fiction books) to find his fiction voice. He chose to set his book in South Africa, a place he’s stayed in. Matthew described his protagonist detective who is just starting in CID. This is a fresh take on things, a departure from the popular Detective Inspector, and will open up interesting possibilities for his character as well as creating challenges for him. I’m curious to know more.
Sunday’s panel included: Neil Broadfoot, James Carol, Charlotte Williams, Emma Kavanagh and Rebecca Muddiman, with Laura Wilson as moderator again.
The backgrounds of these authors definitely made me prick up my ears as three of them overlap with passions and interests of my own. James is a horse trainer and riding instructor and Emma has been a psychologist with the police and military, specialising in trauma. Charlotte has worked as a psychotherapist, and sings and plays folk music. Emma talked eloquently about how there are many degrees of normal, and how different people’s reaction can be to a situation, hence choosing a plane crash for her novel, Falling. Emma, like Clare Donoghue, also mentioned using a spreadsheet to map out her plots.
James didn’t mention that he had any horses in his book but Charlotte talked about how the stories of Raymond Chandler, and her training, made her interested in having a female protagonist in a room and an attractive man comes in as the set-up for her story. She wanted to examine how normal people can be driven to murder. Neil had the audience oooh-ing when he said that he had interest from a publisher via a tweet when he was shortlisted for the Dundee prize.
Rebecca completed an MA Creative Writing. She has won two acclaimed writing competitions, the second of which resulted in her publishing deal. She discussed writing about an experience which she’s not gone through, that of being a mother, and how she then had to extend this to how a mother would feel if their child was kidnapped.
These were my panel-inspired purchases. I am looking forward to reading all three.
In many ways the backgrounds and writing experience of these twenty authors couldn’t have been more varied but they also had a number of things in common: they all came accross as highly creative, for one; some of them had studied writing formally, some hadn’t; and some of them plan in a highly detailed way whilst others plunge in. What struck me most, however, was their commitment to their projects and to writing the best story they could.
Vicky Newham © 2014