Vicky Newham


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Behind Her Eyes by Sarah Pinborough – a review

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Friendly single mother, Louise, meets David in a bar. Flirtation becomes a kiss, but it ends there. The next day, at work, Louise meets her new boss and gets a glimpse of his beautiful wife, Adele. Guess what? To Louise’s embarrassment, he’s the man from the bar. Then when Louise bumps into Adele on the street, they go for coffee together and start up a confiding friendship. It seems that it’s fresh starts all round. But while David says the kiss was a mistake, he cannot keep his eyes off Louise, and a love triangle develops.

The story is told from the point of view of Louise and Adele, and the reader quickly wonders which of the two is telling the truth, and whether Adele and David’s marriage is as perfect as it seems. With unreliable narrators, and a combustive domestic situation, it’s the perfect set-up for a twisty psychological thriller. But it’s also where Sarah Pinborough shakes things up.

What I adored about this book is the way the author deals with the subtle nuances of the inter-relationships, and brings them to life. For me – and it stands out in her YA novels too – Sarah Pinborough excels at writing relationships, and she brings an emotional intelligence to the many forms of communication which take place between people. She shows – in an often humorous, often poignant way – how easy it is to get drawn into a mutual obsession which escalates. And, with modern technology at everyone’s disposal, obsessions can be stoked and satisfied from the comfort of the sofa. Louise and Adele have very different lives, yet neither is happy.  The reader is privy to their reflections for all their honesty, neurosis and desperation. But what their reflections also show is how different people often are from the image they portray; how cruel and manipulative some people can be; how self-deception can eat away at their hopes and dreams.

Behind Her Eyes drips with menace from the first page, and that atmosphere continues throughout the novel. Most of the narrative is written in the present tense. It’s immediate and claustrophobic. It’s intimate and confessional. And it’s beautifully written.

What I admire about Sarah Pinborough is that with each novel she pushes her writing that bit further and is continually challenging genre boundaries. The #WTFthatending will certainly get people reading the book. And so it should. But in amongst the disturbing themes and dysfunctional characters, I also hope that people enjoy the subtle aspects of the book. After all, we know we can’t always trust others, but can we trust ourselves?

 

Vicky Newham ©2017